Monday, July 9, 2018

Lessons from Literature: The Making of a Classic (Good Wives: Little Women, Part II)

Ancient history has never been my favorite period to study, perhaps because it seems so far removed from our own times that imagination and empathy require a great deal more effort. Nonetheless, my ancient history course in college did gift me with the opportunity to work on strengthening those skills and to expand my understanding of the world as it was and as it is.

Among the ways this was accomplished was through my professor’s use of original works for our textbooks. Thucydides, Plato, Suetonius, and others—authors of the “classics”—became our tour guides to the ancient world. And as my small group presented on St. Augustine’s City of God, I pondered what it was about these works—indeed, any works—that make them “classics.” Five years later, while reading another classic, I encountered the conclusion I had reached in that Ancient History classroom.

The novel was Good Wives by Louisa May Alcott (which is actually the second half of Little Women), and in her usual insightfulness Alcott slips in powerful truth in a parenthetical statement. She is describing the scene of Beth’s sickroom, made as cheerful as possible by the March family, when she mentions, “father reading, in his pleasant voice, from the wise old books which seemed rich in good and comfortable words, as applicable now as when written centuries ago […]" (p. 244).

And there it was—the “old books” are “wise” because they ring just as true today as they did when written. What else makes a classic if not that? Just as the “old books” were still valued in Alcott’s 1860s world, so her works, now old, are valued in ours. Of the countless books published over the course of history, only a relative few have stood the test of time, and I would suggest that those that have survived have done so because they contain such perception, such enduring observations of and commentaries on human nature that they are just as useful for our growth today as they were when penned. Or as Alcott says, they are “as applicable now as when written centuries ago.”

Sometimes the application points may require a little more effort to discover because of changes in language or syntax, but the concepts and expressions that cause the reader to say, “Yes! I recognize this character or world!” are those that make classics what they are. And in finding this reality about the nature of classics, we stumble upon another, greater reality about the nature of ourselves.

If classics are classics because they contain enduring concepts, then classics are made possible because enduring concepts exist. In other words, because human nature is constant, observations made about a human mindset in 431 B.C. can also be made of a human mindset in A.D. 2018. This is why words written hundreds or thousands of years before our time can still affect us so powerfully. (It’s also why the Lessons from Literature series on this blog is even possible.)

Classics help us see, then, that we really are all the same at the root of things. As humans, we all have the same nature—the same capacity for good because of God’s image that we bear and the same propensity for evil because of our inherited fallen-ness. Realizing this truth should help us demonstrate more kindness, empathy, understanding, and grace to our fellow humans and should help us to see that there is a Being who created us all. His design for us was perfect, and we’ve gone and twisted it until sometimes it’s almost unrecognizable, but the core of our being is still dependent on Him and receives its very definition from Him alone.

Enduring words and ideas can exist because there is an enduring God who is Truth itself. He is the standard by which all “truth” is measured, and He has made Himself and His truth known to us. What a blessing He has given us to be able to comprehend truth ourselves, to receive it from those who have gone before us, and to communicate it to those around us and those who are still to come.



Source: Alcott, Louisa M. Good Wives: Little Women, Part II. New York: Penguin, 1994.


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